Mar. 16th, 2012

tishaturk: (pen)
Issue no. 9 of Transformative Works and Cultures came out yesterday; it's focused on Fan/Remix Video, and it looks amazing—I am really, really looking forward to reading the whole thing. It includes an essay I wrote with Joshua Johnson, a former student of mine, called "Toward an ecology of vidding." I'm really proud of this essay, and I'm hoping it will form part of the basis for a longer project, so I'm already thinking about how to revise and expand it. If you read it and have thoughts about it, I'd love to hear them; you can post comments at TWC, comment here, send me an email, whatever. All feedback is welcome: points you liked, points you disagreed with, points that need expansion or clarification, things we missed, anything!

As I was re-reading the essay for the final proofreading, I thought of something that was really important to me (I can't speak for Josh here) while we were working on it, but which was a little too meta to easily integrate into the essay itself, so I thought I'd write about it here instead.

One of the things I wanted to do in this essay was to write about a typical vid rather than an unusual vid.

More about this under the cut )

I suspect that sometimes we downplay 'ship vids because we're worried that other academics won't take those vids seriously, or maybe even because we ourselves are nervous about discussing explicitly romantic vids in an academic context, but as a feminist I worry about this tendency. Saying or implying that 'ship vids aren't serious or aren't worthy of study, or are worthy only if they have some other historical or analytical significance, seems to me to be a profoundly problematic thing to do, so I'm hoping to counter this tendency more explicitly in my upcoming work.

...long post is long, but my point is that I had a blast writing about [personal profile] lamardeuse's vid, and I really appreciate her permission to do it, and I want to write more about the kinds of vids that I first fell in love with.

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Tisha Turk

November 2016

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